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#61 |
Join Date: Mar 2005
Location: NJ
Posts: 4,582
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I think this is my favorite released Maker
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#62 |
Join Date: Nov 2004
Location: Minnesota
Posts: 2,925
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This may not be my favorite release from the band, but it may be the most important for me. In the summer of 2000 I saw DMB at Alpine, not really knowing anything about them besides the songs I heard on the radio. I went because some friends invited me, and it sounded like a good time. And it was. I was instantly a fan after 8.20.00.
After consuming all I could between then and the fall of 2001 (including LWS), I was off to college with a new favorite band. I got a job at an FYE (remember those?) as soon as I got to college. And a few weeks later I learned that this release was coming out. I was stoked. I remember unpacking the boxes of this CD when it came to our store, and I was so excited to buy. My manager wouldn’t let me take one home Monday night after work, because we couldn’t sell until the street day of Tuesday. He thought he’d get in trouble if I brought one home, even though I had the money, and all he had to do was ring it up first thing in the AM Tuesday. Well, Tuesday morning rolls around and I skipped class to go get this as soon as the store opened. Now, let me be clear, even though I was still a new fan, I was still not sold on BTCS being as great as it was. So, I had low expectations for those tunes when I bought this. But, as soon as I put disc 1 in my car and started driving, I was blown away by Last Stop. And the rest is history. And here I am 19 years later still bitching about setlists and such. Sorry for the long ramble, but this release still holds a place in my heart for that reason.
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-Brian |
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#63 |
Join Date: Dec 2004
Location: Mansfield, MA
Posts: 32,062
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That was a good read Brian.
I still remember watching the webcast live. I think I made it about 7 songs in which were tough to sit through because of internet connections back then. It kept buffering, pixelating, blacking out, etc... And of course because of the United Center's policy of Union workers, you had the camera operators who didn't really have any experience with DMB music and the shots were not great (extended shots of musicians not even playing, bizarre zoom ins and outs, etc...). But it was still really exciting because I was still in fandom infancy so everything was so new, fresh, interesting.
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Variety of emotion is good...it just makes the music different colors. - LeRoi Moore |
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#64 |
Join Date: Jun 2006
Posts: 3,669
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Cool story! You guys actually liked Btcs when it came out? Wasn’t a lot of the feeling...wtf is this? Especially after crash?
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#65 |
Join Date: Dec 2004
Location: Mansfield, MA
Posts: 32,062
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For me personally, the only thing that left an initial bad taste in my mouth was Stay. It felt like such a corny song plus the use of back-up singers just seemed way out of place for a band like DMB at the time. I loved everything else. Some of the fanbase had mixed opinions because you have to remember the last single off of Crash was Tripping Billies, to go from that to DDTW was a HUGE shift in tone and mood and it didn't sit well with some people.
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Variety of emotion is good...it just makes the music different colors. - LeRoi Moore |
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#66 |
Join Date: Nov 2004
Posts: 35
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I remember listening to BTCS the first time... I was in high school and got a local record store to sell it to me a day early. I loved it all (especially the strings in the Stone, the piano touches in Crush... Dreaming tree was a mind blower). The back up singers did come off a little oddly, but it was a sign of a band changing in exciting ways. I tried to convince myself Halloween was good, while really I still think it’s the one miss on the album. I was so obsessed with the Recently EP version, I don’t think anything I’ve ever heard before or after touches it. Guitar, drums and vocals have so much on the live take they didn’t capture in the studio.
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#67 |
Join Date: Apr 2005
Location: Toronto
Posts: 7,651
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I took to it INSTANTLY. Had never anything so great. I was 18, and a huge Beatles fan. I was floored the second I heard Don't Drink on the radio.
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Long live the Matthews Band |
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#68 |
Mr. DMB, I don't feel so good.
Join Date: Nov 2004
Location: Brooklyn
Posts: 22,568
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what I remember about the first time I listened to BTCS was getting to and through the end of Rapunzel and thinking 'wow, that is amazing'. and then I also remember I really liked 'the Egyptian one' in my first listen
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#69 |
Join Date: May 2005
Posts: 1,429
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If I recall correctly, I think the first time I heard Rapunzel was on the live at the 10 spot broadcast on MTV. That show set me up to absolutely love that album upon first listen. I thought Last Stop was broadcast as well but dmbalmanac says otherwise. I'm fairly sure I heard Last Stop somewhere before the album dropped though.
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#70 | |
Join Date: Apr 2005
Location: Toronto
Posts: 7,651
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Quote:
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Long live the Matthews Band |
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#71 |
You failed this band
Join Date: Jan 2009
Location: Illinoyed
Posts: 18,931
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I will be a semi dissenting voice on this Maker. I like it, but I think LT 3 and 11 are much better versions. Two great Roi solos. I also like the DMBLive one from 93. 1/27/93 I think with the Spotlight/Maker opening combo.
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Currently listening to: 2/16/96, Pepin Gymnasium, Middlebury, VT |
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#72 | |
Join Date: Apr 2005
Location: Toronto
Posts: 7,651
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Quote:
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Long live the Matthews Band |
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#73 |
Is Old
Join Date: Dec 2004
Location: Dayton, OH
Posts: 18,208
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Yeah, I can distinctly remember getting to the jam of Rapunzel and thinking to myself, “This is the best thing they’ve ever done.”
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It’s all a load of bullocks, and bullocks to it all. |
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#74 |
Join Date: Mar 2005
Location: Chesterfield, VA
Posts: 2,417
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Has anyone ever gone through and figured out definitively what else Boyd re-recorded for this release other than LIOG?
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#75 |
Join Date: Apr 2005
Location: Toronto
Posts: 7,651
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How embarrassing. Imagine being called back in the studio to fix your parts because they weren’t good enough to the public.
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Long live the Matthews Band |
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#76 |
Join Date: Dec 2004
Posts: 51,912
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I always thought it was just LIOG - would love to know what else.
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NC |
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#77 |
Join Date: May 2005
Location: Olathe, KS
Posts: 719
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I just want to know why they muted Stefan's bass intro on Crash on the live release.
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Just as the bite of the blade wakes the absent mind There's time to dream and there's time to open your eyes She said, just as the warmth of a kiss brings the love alive It's right here by the fire where the answers lie |
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#78 |
Join Date: Aug 2004
Posts: 252
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#79 |
Join Date: Jun 2006
Posts: 3,669
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Didn't they do something on the Atlantic City release?
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#80 | |
Join Date: Jan 2005
Location: Toronto
Posts: 24,347
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Quote:
Citi Field - I’m pretty sure there was an interpolation in Proudest Monkey that got replaced. There’s an Ants on Piedmont or Folsom (can’t remember) where there’s a cut of some kind.
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http://DMBAlmanac.com/Member.aspx?number=374 |
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